Creative

Comma Crazy “I’ve got a lot of changes,” said the cataloger. I sighed. We’d already been through countless rounds and sent files to the color house very late. And the cataloger still was making changes. Color costs were soaring. I got out my red pen. “Ready for your changes,” I said. “OK,” said the cataloger, “in the first sentence, third word, remove the comma before the word ‘and’ ... “ One nice thing about smaller catalogs is that often they’re run by entrepreneurs who are pretty good at distinguishing between things that matter and things that don’t. But as a catalog company

Like so many facets of direct marketing, improving Web-site conversions depends as much on applying an appropriate focus, some common sense and thorough planning as it does on adopting the latest technological breakthrough. Indeed, 43 percent of Web executives, marketers, developers and IT managers said conversion rates are the most important Web-site metrics they track, according to a survey from NetIQ. It’s astonishing, then, that 66 percent didn’t know their own conversion rates. What’s needed? The logical first step toward improving conversion rates — and overall Web-site performance — is to apply some of the same knowledge you use in initiatives for

Many catalogers who use customer testimonials say this creative element boosts sales and adds a friendly touch to their brands. Below are some things to consider if you, too, want to utilize this creative element in your print catalogs. Testimonials Work Most catalogers report a general boost in product performance when they use testimonials, although many admit they don’t scientifically measure the impact. “I used testimonials at Gardener’s Supply and think they can be really powerful catalog marketing tools,” says Susan Stone Russel, the former circulation manager at Gardener’s Supply catalog, and currently a manager at Intuit. “My main objective

When you call a catalog advertising agency, designer or copywriter, you expect to have things your way. After all, you have the cash. While you certainly can have things your way, the strongest-selling catalogs generally are those in which the cataloger has worked as a partner with — not a dictator to — the creative team. How can you bring a detailed knowledge of your product line and customers to the table, without smothering the creative process with non-negotiable rules? Following are four guidelines that may help. 1. Leave your quirks at the door. A national manufacturer with a highly respected brand launched

As a business-to-business (b-to-b) cataloger, you know that your large catalog is an essential selling tool, as well as a brand differentiator. Its benchmarks of success may include strong revenues, remarkable customer response and overall profitability. A good strategy for any catalog’s mailing frequency should be based on the book’s anticipated order-response curve. But when you create a large b-to-b catalog that’s expected to have a shelf life of four, six or even 12 months, how can you ensure that it keeps selling well during its entire campaign? The following 10 steps can help. 1. Understand the order-response curve. This is defined

Many catalog managers have an idea of what they want their brand to be, only to learn through trial and error that what they want it to be may not be what it is. Likewise, in an effort to deliver something exciting to a catalog client, many creative agencies suggest remaking a brand to become more appealing to a different audience (e.g., younger, hipper, wealthier). Certainly, there may be legitimate reasons to redo your brand, but understand that it’s a difficult and complex process requiring thought and expertise to execute. Making an abrupt change and unveiling a new creative or merchandising concept could

“Martha! It’s here! It’s here!” Everyone jostles one another as they rush the catalog into the front room and sit down to read. “Let me read it first!” “No, me!” “Don’t wrinkle it!” While they don’t say so out loud, I think many catalogers envision the above scene when their catalogs arrive in the homes of their target audiences. And for a few of your better customers, this scene may not be too far off. Studies have shown that catalogs are more positively received by consumers than any other form of direct mail. But assuming you’ve already covered all the basics (and so your

Here’s an analogy: Home page is to Web site as storefront is to retail and cover is to catalog. In short, it’s the first impression prospects have of your company, and a critical one at that. In fact, a home page has to work even harder than a retail storefront or print cover because it must facilitate transactions further on in the site, says Bridget Fahrland, executive creative director at e-business consultancy Fry Multimedia. “It can’t just be about catching the eye. Something there has to get [customers] to go deeper,” she explains. Though much of home page design depends on each cataloger’s

Good circulation planning and merchandising are the keys to success for a catalog company. Knowing how many books to circulate can be determined by calculating a catalog break-even point. But determining the number of pages your catalogs should include can be more difficult and somewhat more arbitrary. This month, I’ll look at basic criteria that can help determine the best page counts for your catalogs. I’ll also review the economics of adding pages to a book. Pages increase response, and the economics generally are favorable, provided there’s enough good merchandise available to support additional square inches of selling space. The decision to