Color Management - Critical in Production Workflow
By
Glenn Martin
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By having the digital photographer measure, specify and correct the color in both RGB and the output CMYK files, the workflow becomes more cost-efficient, and the chances for communication errors are greatly reduced.
In a film workflow, there is no practical way for the film shooter to review or correct color as the film requires some time to process. Also, the film shooter can only work with the film's RGB information, as the CMYK conversions typically take place days later at the color separators. This analog, chemical-based film workflow generally requires the color separator to work from product samples and whatever color information is in the film.
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- People:
- Glenn Martin
- Prentice Hall
- Places:
- Reno, NV
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